The word “mimang” holds multiple meanings in Korean. One, being unable to make sense from ignorance. Two, being unable to forget what one wants to forget. And three, searching far and wide. In debut filmmaker Kim Taeyang’s Seoul-based feature debut, the camera observes in three parts the changes in time, space, and characters that align with the above-mentioned definitions. Shot in Seoul over the course of four years, the film vividly captures changes to the characters and the city — specifically the historical area of Jongno — during a couple’s strolls up and down (memory) lanes.
